As
man, woman, creator and destroyer, in the eternal search for balance, Shiva’s
dance never ends. Chris stands looking at the earthen statue,
considering what the description really means and wonders who gets paid to
write these sorts of things.
Turning to
his left, he looks for Rosemary but she isn’t next to him. A moment of panic sets in. It’s his weekend to have his daughter, now
five, and this is the first trip they’ve taken to the Kentucky Cultural Arts
Center. He’d intended so many weekends
before this one to begin her immersion in art, but something always seemed to
come up. That something was typically a
raging headache from the previous Friday night; he never set out to drink too
much, but his Russian friends always found a way to encourage his vodka
consumption without him realizing how much he’d actually ingested. Last night,
though, he’d put a stop to the clear liquor after three shots and two eight
ounce tumblers. Igor and Sasha made fun of
him for it, but Chris kept looking at the picture of his little Rose, taken at
Easter in front of the Orthodox church, and that was enough.
Panicked, Chris considers calling
out for Rosemary, but a surly looking guard sitting in the high backed chair in
the corner gives him a look that suggests a loud voice wouldn’t be
tolerated. He takes one last look at
Shiva, the god (or goddess, he was never sure which) and goes in search of his
little girl. A cramp in his stomach
begins to spread from his right side to sit right in the middle. They’d stopped for lunch before coming to the
museum; the grease from the breaded chicken was moving through his intestines
at warp speed.
“Daddy,” Rosemary’s small voice
calls from behind the black ribboned partition separating the works of
art. “Look what I found,” she says
pointing. He follows the trail of her
small finger and sees a collection of miniature wax Gypsy fingers.
“Rose, darling, what have I told you
about running off like that, hmm? You
know you can’t just walk away.” His
voice chastising, Rosemary is crestfallen that he hasn’t said anything about
the shadowbox.
“But I didn’t go far, and
look!” She begins rocking back and
forth, a side effect of the new medication her psychiatrist put her on to deal
with the anxiety of a ‘broken home.’ It
was a terrible thing to watch.
Chris looks closely at the wax
figurines and sees what has Rosemary so excited. In the left hand corner of the scene is a
little girl that looks strikingly like her.
“It’s like it’s me but it’s
not!” Her little girl voice is shrill
and happy. Thankful that he didn’t have
more vodka last night, Chris tries to match his daughter’s enthusiasm.
“That’s right, sweet girl, it does
look like you. Let’s see who made this
fine piece of art.” Chris begins to read
the placard aloud to Rosemary, skimming over the words he doesn’t think she’ll
understand. Engrossed in the language,
he fails to sense movement behind them.
A group of armed police officers rush into the gallery, their steel-toe
boots making heavy sounds as they run over the cedar floors.
“Outta the way, folks,” one of the
men calls.
The surly volunteer in the corner
looks up from his crossword and his face registers the fact that the police are
not there on some sort of a drill.
Something has happened, or is in the process of happening. Chris clutches Rosemary closely to him, as
much to make sure she doesn’t run off somewhere as to try to protect her from
an unknown evil. The earthen Shiva
statue, placidly on display across the corridor seems to be looking at
him.
“Rosemary, stay right here with me,
okay? We’re just going to follow
whatever the man tells us to do.” His
daughter’s wide eyes tax his, and he turns to the guard.
“Everything okay, man? What’s going on?” The guard shrugs and looks at the police
officer.
“No idea, but it’s probably best if
you get her out to the front, okay? You
know how to get to the Atrium?” The old
man’s voice is thinly veiled with authority; Chris can tell that he’s clearly
nervous about the police presence.
“Rosemary, let’s go, okay?” If Igor and Sasha were with him, instead of
his darling young daughter, he would feel stronger. Being the protector is hard work, and that’s
probably why his marriage to Stacy failed.
He just couldn’t seem to get it together. Rosemary tucks her hand in his, and he
notices glitter nail polish on her little fingernails. From somewhere deep in the museum, a deep boom
shakes the silence and reverie of Saturday morning purveyors of art. Rose’s grip inside his calloused hand is
strong.
“Daddy, what’s going on?” Another explosion rocks the museum and the
ground shakes. “I’m scared.”
Chris scoops Rosemary into his arms
like he used to do when she was first born and tries to comfort her. She wraps her arms and legs around him like a
tandem parachute jumper. He looks for
the museum guard, but can’t find him.
Smoke begins to fill the gallery as he makes his way to the Atrium. Pounding footsteps come up from behind him.
“Outta the way, chump,” a man in
mask says as he runs past. He’s
clutching something under his arm. Chris
assumes he’s just stolen a painting. A
second set of footsteps follows the first.
Without him understanding what’s going on, Rosemary is ripped from his
arms.
“Look what I got,” the masked man
calls out to his accomplice. “Now we
really got some leverage.”
Chris bolts for the man and tries to
pull Rosemary from him. The man pistol-whips
him in the chin and he falls to the ground.
Vision cloudy, he can barely make out Rosemary’s small frame. He thinks of Shiva, creator and destroyer;
there is no balance.
I enjoy reading your conglomerate of 26 letters at night before my rebooting session.
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